Structural vibration mitigation varies by construction type and is far more complex than controlling airborne sound propagating within a space. Therefore, it becomes much more manageable by narrowing the focus down to those “in-room” issues which one can mitigate with diffusion and absorption.
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Fitness centres present architects and designers with unique challenges: large, open areas with few walls, tall ceilings, and often exposed ductwork—none of which is conducive to sound absorption. Like esthetics, lighting, and air quality, sound is an integral component of the club experience. If managed well, it complements and enhances the environment.
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Plexiglass barriers and staying 2 m (6 ft) apart does not work in performing arts because some social distancing solutions can have a significant impact on acoustics. There are several key considerations when redesigning performing arts venues to accommodate safety guidelines without compromising on acoustics.
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The Toronto Centre for the Arts (TCA) was originally built to offer a mix of smaller theatres, a recital hall, and one main stage for various performing arts presentations.
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Background sound is critical to the levels of speech privacy, noise control, and overall comfort occupants experience within a facility. Indeed, all acoustic design considers this factor when determining sound transmission class (STC) or speech privacy class (SPC), as well as when calculating articulation index (AI) or the signal-to-noise ratio (SNR).
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Churches, temples, mosques, and synagogues are hubs of activity in the communities they serve. Far beyond the weekend worship service, they are home to civic meeting spaces, classrooms, auditoriums, and other community uses. However, as congregations and communities change, so must worship spaces. Many traditional churches are contending with aging congregations, while other denominations are increasing or following development patterns into growing communities. While some churches may be dealing with falling attendance, others are expanding their role in the community.
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Everyone has heard the old adage “silence is golden,” but just as with lighting and temperature, the comfort zone for the volume of sound is actually not zero. In fact, if the background sound level in a space is too low, conversations and noise can easily be heard, even from a great distance, impacting speech privacy and disrupting one’s concentration. Many organizations use a sound masking system to maintain an appropriate ambient sound level in their facilities, which is typically between 42 and 48 decibels (dB) in commercial interiors.
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